Writings in English

• THE LIFE, THE DOUBTS AND THOUGHTS ABOUT THAT LIFE BY A PAINTER
• GALLERIES, THEIR OWNERS AND VISITORS: THE BRUSSELS GALLERY AND MY DEEPER DIVE INTO THE SURREALISTIC EXPERIENCE
• THE HANDS
• I ME MINE
• NEW SKETCHES, THE AMAZING WORLD OF CHAOS
• COUNTERFEITS AND THE SCREAM PAINTINGS
• LYING THE TRUTH AND THE SCIENTIFIC APPROACH
• VOLCANO 001
• BULLS AND BIG CANVASSES, A NEW START
• DRAWING IS THE BASIS OF ALL (after having read the biography about Willem de Kooning)
• HOUSES AND STUDIOS
• THE LAST SELF-PORTRAIT MADE IN BARCELONA
• MEMORIES OF FACES AND PLACES
• THE ROADS THAT LEAD TO ROME
• THE MUSIC AND MY MISSION (THE ROADS THAT LEAD TO ROME II)
• RED
• DIE VIER LETZTE LIEDER
• QUADERNA, MEETING SYLVIA AGAIN
• 'NIGHT' (an assignment by M. T.B.)
• IN SEARCH OF A STYLE
• LIGHT
• BLACK GLOVES
• WALTER AND THE TRIPTYCH
• WHY I PAINT BULLS AND BULLFIGHTS
• THE WORKS FOR THE CHURCH GESÙ REDENTORE, MODENA, ITALY.
• 'L'HOMME QUI RIT'; TANGUY, THE LAST SURREALIST ARTIST OF BRUSSELS AND OTHER COLORFUL CREATURES
• THE NEW YORK PAINTINGS
• FALLEN ANGELS - NEW YORK
• THE PASSING AWAY OF MY MOTHER AND THE GREAT AMERICAN ADVENTURE
• 1988 THE TRIPTYCH IN FRANCE
• BAD BREATH AND PIGMAN'S NEW PURPLE SHOES
• STUDYING ART IN FIRENZE IN THE EIGHTIES
• CAN ART KILL AND IF SO, HOW SHOULD IT DO THAT? 2
• CAN ART KILL AND IF SO, HOW SHOULD IT DO THAT? 1
• MY FAMILY AND I
• I WANTED TO WRITE SOMETHING SIGNIFICANT...
• IT IS FOUR 'O CLOCK AT NIGHT
• THE MUMBLING ORCA